melancholy

the sun is awake!

curtains pulled to a shallow
             sea
the waves begin
to stir
with a restless
ache

the sun has
stolen me,
how to make them
      understand
that i am fear's
permanent reside

words are not
thoughts
nor thoughts
words;
fragments 
                 and
                         slivers

the world is in motion,
in tune with the
  sea,
but my fists
remain firm
in the
sand

(even a hole can
play house 
to a 
     void)

melancholia
my lover, my infinite 

solitude

hold me fast in
your arms;
the iron gates
to my
eternal prison


~ A. L. Stippich

my old friend, Otis

If there was a better way to go then it would find me

I can’t help it, the road just rolls out behind me

Be kind to me, or treat me mean

I’ll make the most of it, I’m an extraordinary machine.

Fiona Apple

*Triggering Content Warning*

Otis was not originally called Otis. Otis needed a new name. Well, that, and a fresh set of nylons, but more importantly, a new identity.

Dammit, I miss him when he is tucked away. Every time I decide to pick him up to start playing again, it feels like embracing an old friend. An extra limb that carried me through half of what was a mangled childhood. In all my years of playing, I have yet to find a classical that sounds quite like him.

I honestly hate talking about music. Some things you experience in life are just too involved or intense to be able to put into words for another to comprehend and in trying to do so, the opinion floodgates open and by then you have lost your motivation from disheartenment. Music and I have always had such a personal connection. I do not play to be heard, I play to feel free.

Otis was passed on to my brother and I by a church family getting rid of extra guitars when I was in my preteens. The only guitars we had been introduced to prior were my father’s classical and a special, eighties built Les Paul; a deep, blood, red wine color with special machine heads that had tiny tuning handles, which folded inside of each knob. The neck was perfectly crafted with a fretboard of stunning mother of pearl inlays. To this day I have still seen nothing like it. I loved that thing and hated it all at the same time. It was the guitar of my dreams and could lull me to sleep when played. Unfortunately, after I convinced the babysitter that we were “totally allowed to play with it” that one time, the days long welts left behind from the top of my back, down to the backs of my legs from the leather belt lashing made me feel differently about its allure. I had accidentally chipped some paint on the damn thing and the damage was very soon discovered by its meticulous owner. After that it just felt like a toxic love affair. The thing was fucking haunted.

So close your eyes,

And close your mouth.

And do this all in time to the music

That screams like a child in the back of your mind

In a clown’s saloon...

Ryan Adams

Receiving Otis as a kid felt like I had been handed a brick of gold. The moment I figured things out and conquered tuning, it just all rushed in. I had grown up on a lot of sixties and seventies classics from my parents’ collection before finding my own music journey. I wanted the slow hand of David Gilmour mixed with the complex finger styling of Steve Howe, playing Mood For a Day with perfect ease. I spent hours on end with calloused fingers and sore wrists, giving myself full blown tendonitis by high school from overplaying. For a spell, I was the kid with the record player and a stack of Pink Floyd, tucked in a quiet, dirty basement, resetting the needle over and over until I had the timing just right. Music and I were already one, but now that I could play it, the game completely changed.

I will sit right down

Waiting for the gift of sound and vision.

David Bowie

Once my father caught on that we liked something that he already had a vested interest in, we finally found a sliver of common ground and by my late teens, the guitar count in our home was in the teens itself, with an amp count not far behind. A person could not walk into our house without noticing that it was full of guitarists.

My baby brother had met the strings not long after I did and blew us all away, learning songs by ear, even learning Hendrix was straight-forward for his fingers. Soon, after being gifted his metallic, mint green Stratocaster (affectionately named Lucy), a guitar strap only left his neck for showers. The magic music man of the family was born, and he has never put a guitar down since, all because of Otis.

Boy, you’re gonna carry that weight,

Carry that weight a long time

The Beatles

There are a lot of reasons I walk away and come back. Sometimes it hurts too much. The fond memories I have, outlined by my entrancement with the strings still sit like fine china on an old, rickety shelf. I am not ready to feel them yet. However, sometimes I just need him again, during rough times of emotional stress or just because seeing an old friend can sometimes bring you back to a happier state of mind. Who knows…

Brother and I, forever ago. The younger us’s, trying to get Eddie V. Halen to join our band by mastering a most triumphant video.

what it be

what it be
let it be 
let what should be free, be freed within 
thee 
and what has to be,
be

by my own decree 
Just let what be and let others 
flee
when it is time for them to flee

(Let me flee, I must
Flee)

for I am free, to be
me
for what is freed within 
you
is also freed within me
so let be 
what needs to be
and be freed


~ A. L. Stippich

slow boats

that faithful cigarette    
burns a hole
in her side,

displaced thoughts

dance

along the corners

of her abandoned

room, as

slow boats rip

against

the high tides

of her troubled

mind



a selfless
suicide, (vacancy)
plays a tune
behind those hostile
eyes;
her thin words
etched

along the

dotted line


who is she?
(a ghost?)
a piece of familiar
a shadow of
yesterday
creeping up
from behind
to pull you
under
(the ocean's
deep)


and the slow boats
still wander
just a throw from
the shore
as the waves still

roar,

so i close

my eyes

and let the water

in
~ A. L. Stippich

maternity

 a childless mother of none
 a heathen,
(To fail)
 her purpose redirected at the tender age
 of twenty two

 (a walking casket, the crowd
 throws flowers,
and mourns, 
 spitting sentiments of well wishes and
 good health. Rejoice!)

 open up the hollow points
 of her decaying 
Womb, 
(the space has been labeled
 an empty tomb)
Wasted
 and stripped, for her purpose is
 not
 but to exist, and 
Nothing more


~A. L. Stippich

intention(al)

(bang!)
 
the echo stretches
 for miles
 
 even the trees
stop
 and turn
 
 and all is 
still
 
 one slip
 of a finger on
 the silver
  hammer
 cuts a clear path
 through the
 front wall and
out
 the back
 
(enter
 through the side
 door, exit through
the window)
 
 and everything
 you know
(every idea)
 every picture
 (everything you carried,
loosed)
 
(every first love)
 
 spills back into
the earth
 (your mother
 receives you in
gallons; in pints)
 
 if all is not
 lost, then, for
now,
 it is only
you


~ A. L. Stippich

deep

 I am in the winter,
 and I am in the snow.
 I am the child of a vengeful cloud
 Through the black trees, my sharp winds weave
 and grow (echo,
 I echo)
 
 I am a quiet death,
 I will take them while they sleep
 I am the rattle of their window pane, 
 And the numb beneath their 
 feet 
 
 I will wake you at the moment,
 in the deepest of your
 slumber
 When the moon wanes to the 
 center and lightning meets with 
 thunder
 When a rush sets through the freezing
 streams
 I’ll bleed you out, and strangle 
 your dreams
 I’ll spend the last of the air that I breathe
 to bring you down here, into the deep
 with me
 
 (into the deep, you will be
 here, with me) 


~ A. L. Stippich

dear brother

 dear brother, don’t forget
 to turn out the 
lights
 (dear brother, don’t forget
 to let go)
  
 the leaves will still choose
 to change their
colors
 and the earth beneath you will
 still turn
 all the same
  
 what is gone
 is over,
 the dead cannot
speak
 any more than they can hear;
 your cries remain
foreign 
 to closed ears
  
 (brother, to stay inside the still
 is a slow way
 to die)
  
 tragedy is every crack 
 in your road;
 every fistful of sand in your 
eyes
  
 we can make up
 our minds 
 to wash them clean
 or let each grain
 bore holes
 ‘til we go
blind
  
 so let, slow
 the veil that
 covers your soul
 slip back down
 from your face
 to the floor;
 mourn yesterday when 
it is
 (and only when
 it is)
 and close that
door
  
 and, brother,
 don’t forget to
 turn out
the lights


~ A. L. Stippich

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