the sun is awake!
curtains pulled to a shallow
sea
the waves begin
to stir
with a restless
ache
the sun has
stolen me,
how to make them
understand
that i am fear's
permanent reside
words are not
thoughts
nor thoughts
words;
fragments
and
slivers
the world is in motion,
in tune with the
sea,
but my fists
remain firm
in the
sand
(even a hole can
play house
to a
void)
melancholia
my lover, my infinite
solitude
hold me fast in
your arms;
the iron gates
to my
eternal prison
~ A. L. Stippich
star gazer
I sat on the edge of a star today (head in the sand, feet in the tide), Watching pieces of dead earth tap the edge of the moon from an ever ripening sea in the Sky ~ A. L. Stippich
my old friend, Otis
If there was a better way to go then it would find me
I can’t help it, the road just rolls out behind me
Be kind to me, or treat me mean
I’ll make the most of it, I’m an extraordinary machine.
Fiona Apple
*Triggering Content Warning*
Otis was not originally called Otis. Otis needed a new name. Well, that, and a fresh set of nylons, but more importantly, a new identity.
Dammit, I miss him when he is tucked away. Every time I decide to pick him up to start playing again, it feels like embracing an old friend. An extra limb that carried me through half of what was a mangled childhood. In all my years of playing, I have yet to find a classical that sounds quite like him.
I honestly hate talking about music. Some things you experience in life are just too involved or intense to be able to put into words for another to comprehend and in trying to do so, the opinion floodgates open and by then you have lost your motivation from disheartenment. Music and I have always had such a personal connection. I do not play to be heard, I play to feel free.
Otis was passed on to my brother and I by a church family getting rid of extra guitars when I was in my preteens. The only guitars we had been introduced to prior were my father’s classical and a special, eighties built Les Paul; a deep, blood, red wine color with special machine heads that had tiny tuning handles, which folded inside of each knob. The neck was perfectly crafted with a fretboard of stunning mother of pearl inlays. To this day I have still seen nothing like it. I loved that thing and hated it all at the same time. It was the guitar of my dreams and could lull me to sleep when played. Unfortunately, after I convinced the babysitter that we were “totally allowed to play with it” that one time, the days long welts left behind from the top of my back, down to the backs of my legs from the leather belt lashing made me feel differently about its allure. I had accidentally chipped some paint on the damn thing and the damage was very soon discovered by its meticulous owner. After that it just felt like a toxic love affair. The thing was fucking haunted.
So close your eyes,
And close your mouth.
And do this all in time to the music
That screams like a child in the back of your mind
In a clown’s saloon...
Ryan Adams
Receiving Otis as a kid felt like I had been handed a brick of gold. The moment I figured things out and conquered tuning, it just all rushed in. I had grown up on a lot of sixties and seventies classics from my parents’ collection before finding my own music journey. I wanted the slow hand of David Gilmour mixed with the complex finger styling of Steve Howe, playing Mood For a Day with perfect ease. I spent hours on end with calloused fingers and sore wrists, giving myself full blown tendonitis by high school from overplaying. For a spell, I was the kid with the record player and a stack of Pink Floyd, tucked in a quiet, dirty basement, resetting the needle over and over until I had the timing just right. Music and I were already one, but now that I could play it, the game completely changed.
I will sit right down
Waiting for the gift of sound and vision.
David Bowie
Once my father caught on that we liked something that he already had a vested interest in, we finally found a sliver of common ground and by my late teens, the guitar count in our home was in the teens itself, with an amp count not far behind. A person could not walk into our house without noticing that it was full of guitarists.
My baby brother had met the strings not long after I did and blew us all away, learning songs by ear, even learning Hendrix was straight-forward for his fingers. Soon, after being gifted his metallic, mint green Stratocaster (affectionately named Lucy), a guitar strap only left his neck for showers. The magic music man of the family was born, and he has never put a guitar down since, all because of Otis.
Boy, you’re gonna carry that weight,
Carry that weight a long time…
The Beatles
There are a lot of reasons I walk away and come back. Sometimes it hurts too much. The fond memories I have, outlined by my entrancement with the strings still sit like fine china on an old, rickety shelf. I am not ready to feel them yet. However, sometimes I just need him again, during rough times of emotional stress or just because seeing an old friend can sometimes bring you back to a happier state of mind. Who knows…

what it be
what it be let it be let what should be free, be freed within thee and what has to be, be by my own decree Just let what be and let others flee when it is time for them to flee (Let me flee, I must Flee) for I am free, to be me for what is freed within you is also freed within me so let be what needs to be and be freed ~ A. L. Stippich
a tear
There's a tear In there, somewhere Where my heart used to care Where there was no Despair Where my face felt the air, and Fear Never used to scare; There's a tear There's a tear in there ~ A. L. Stippich
slow boats
that faithful cigarette
burns a hole
in her side,
displaced thoughts
dance
along the corners
of her abandoned
room, as
slow boats rip
against
the high tides
of her troubled
mind
a selfless
suicide, (vacancy)
plays a tune
behind those hostile
eyes;
her thin words
etched
along the
dotted line
who is she?
(a ghost?)
a piece of familiar
a shadow of
yesterday
creeping up
from behind
to pull you
under
(the ocean's
deep)
and the slow boats
still wander
just a throw from
the shore
as the waves still
roar,
so i close
my eyes
and let the water
in
~ A. L. Stippich
maternity
a childless mother of none a heathen, (To fail) her purpose redirected at the tender age of twenty two (a walking casket, the crowd throws flowers, and mourns, spitting sentiments of well wishes and good health. Rejoice!) open up the hollow points of her decaying Womb, (the space has been labeled an empty tomb) Wasted and stripped, for her purpose is not but to exist, and Nothing more ~A. L. Stippich
intention(al)
(bang!) the echo stretches for miles even the trees stop and turn and all is still one slip of a finger on the silver hammer cuts a clear path through the front wall and out the back (enter through the side door, exit through the window) and everything you know (every idea) every picture (everything you carried, loosed) (every first love) spills back into the earth (your mother receives you in gallons; in pints) if all is not lost, then, for now, it is only you ~ A. L. Stippich
deep
I am in the winter, and I am in the snow. I am the child of a vengeful cloud Through the black trees, my sharp winds weave and grow (echo, I echo) I am a quiet death, I will take them while they sleep I am the rattle of their window pane, And the numb beneath their feet I will wake you at the moment, in the deepest of your slumber When the moon wanes to the center and lightning meets with thunder When a rush sets through the freezing streams I’ll bleed you out, and strangle your dreams I’ll spend the last of the air that I breathe to bring you down here, into the deep with me (into the deep, you will be here, with me) ~ A. L. Stippich
dear brother
dear brother, don’t forget to turn out the lights (dear brother, don’t forget to let go) the leaves will still choose to change their colors and the earth beneath you will still turn all the same what is gone is over, the dead cannot speak any more than they can hear; your cries remain foreign to closed ears (brother, to stay inside the still is a slow way to die) tragedy is every crack in your road; every fistful of sand in your eyes we can make up our minds to wash them clean or let each grain bore holes ‘til we go blind so let, slow the veil that covers your soul slip back down from your face to the floor; mourn yesterday when it is (and only when it is) and close that door and, brother, don’t forget to turn out the lights ~ A. L. Stippich


