tomorrow is almost, it’s there, (like today) just clearer and cleaner and further away, but tomorrow always comes at the break of each day and tomorrow is here much too soon ’tis today in reverse, stuck in yesterday’s curse, as tomorrow is yesterday’s turn at the bend, (half a tick to the end!) just a few loops around back to yesterday’s town and tomorrow is back here again i am stuck in today watching history replay, fixed on yesterday’s face and today’s quicker pace, as each story untold unfurls and unfolds and new days for others begin so if the cycle should end, and tomorrow begin as if today had never become, would i wake up the same, would i feel the same pain from when yesterday snuffed out my sun? ~ A. L. Stippich
Internal II (wanderer)
there is someone wandering around
on the inside of my
head
she and i are not the same
and she often wishes I were
dead
she whistles haunting tunes, a sickly sweet
into my
ear,
a restless hum of seething rage
to fill my veins with
endless fear
she bids the sorrow that wears me
thin,
the curtains veiling a hollow
skin, (a shell of a girl)
one day closer to the eventual
end,
and i know, she will be the very last friend
i ever see
~ A. L. Stippich
melancholy
the sun is awake!
curtains pulled to a shallow
sea
the waves begin
to stir
with a restless
ache
the sun has
stolen me,
how to make them
understand
that i am fear's
permanent reside
words are not
thoughts
nor thoughts
words;
fragments
and
slivers
the world is in motion,
in tune with the
sea,
but my fists
remain firm
in the
sand
(even a hole can
play house
to a
void)
melancholia
my lover, my infinite
solitude
hold me fast in
your arms;
the iron gates
to my
eternal prison
~ A. L. Stippich
mine
this is what’s mine
(my lips, my thighs)
i am not to
be tamed
i will not
push to explain what
i am,
who i am;
who i am is none of
your concern
pull my hair
paint my face
squeeze my curves into
one place
keep in mind
the lord made me
the beautiful
that i be
and last i observed
you don’t
hold the clay
that he’s been
moldin’
just for me
~ A. L. Stippich
star gazer
I sat on the edge of a star today (head in the sand, feet in the tide), Watching pieces of dead earth tap the edge of the moon from an ever ripening sea in the Sky ~ A. L. Stippich
my old friend, Otis
If there was a better way to go then it would find me
I can’t help it, the road just rolls out behind me
Be kind to me, or treat me mean
I’ll make the most of it, I’m an extraordinary machine.
Fiona Apple
*Triggering Content Warning*
Otis was not originally called Otis. Otis needed a new name. Well, that, and a fresh set of nylons, but more importantly, a new identity.
Dammit, I miss him when he is tucked away. Every time I decide to pick him up to start playing again, it feels like embracing an old friend. An extra limb that carried me through half of what was a mangled childhood. In all my years of playing, I have yet to find a classical that sounds quite like him.
I honestly hate talking about music. Some things you experience in life are just too involved or intense to be able to put into words for another to comprehend and in trying to do so, the opinion floodgates open and by then you have lost your motivation from disheartenment. Music and I have always had such a personal connection. I do not play to be heard, I play to feel free.
Otis was passed on to my brother and I by a church family getting rid of extra guitars when I was in my preteens. The only guitars we had been introduced to prior were my father’s classical and a special, eighties built Les Paul; a deep, blood, red wine color with special machine heads that had tiny tuning handles, which folded inside of each knob. The neck was perfectly crafted with a fretboard of stunning mother of pearl inlays. To this day I have still seen nothing like it. I loved that thing and hated it all at the same time. It was the guitar of my dreams and could lull me to sleep when played. Unfortunately, after I convinced the babysitter that we were “totally allowed to play with it” that one time, the days long welts left behind from the top of my back, down to the backs of my legs from the leather belt lashing made me feel differently about its allure. I had accidentally chipped some paint on the damn thing and the damage was very soon discovered by its meticulous owner. After that it just felt like a toxic love affair. The thing was fucking haunted.
So close your eyes,
And close your mouth.
And do this all in time to the music
That screams like a child in the back of your mind
In a clown’s saloon...
Ryan Adams
Receiving Otis as a kid felt like I had been handed a brick of gold. The moment I figured things out and conquered tuning, it just all rushed in. I had grown up on a lot of sixties and seventies classics from my parents’ collection before finding my own music journey. I wanted the slow hand of David Gilmour mixed with the complex finger styling of Steve Howe, playing Mood For a Day with perfect ease. I spent hours on end with calloused fingers and sore wrists, giving myself full blown tendonitis by high school from overplaying. For a spell, I was the kid with the record player and a stack of Pink Floyd, tucked in a quiet, dirty basement, resetting the needle over and over until I had the timing just right. Music and I were already one, but now that I could play it, the game completely changed.
I will sit right down
Waiting for the gift of sound and vision.
David Bowie
Once my father caught on that we liked something that he already had a vested interest in, we finally found a sliver of common ground and by my late teens, the guitar count in our home was in the teens itself, with an amp count not far behind. A person could not walk into our house without noticing that it was full of guitarists.
My baby brother had met the strings not long after I did and blew us all away, learning songs by ear, even learning Hendrix was straight-forward for his fingers. Soon, after being gifted his metallic, mint green Stratocaster (affectionately named Lucy), a guitar strap only left his neck for showers. The magic music man of the family was born, and he has never put a guitar down since, all because of Otis.
Boy, you’re gonna carry that weight,
Carry that weight a long time…
The Beatles
There are a lot of reasons I walk away and come back. Sometimes it hurts too much. The fond memories I have, outlined by my entrancement with the strings still sit like fine china on an old, rickety shelf. I am not ready to feel them yet. However, sometimes I just need him again, during rough times of emotional stress or just because seeing an old friend can sometimes bring you back to a happier state of mind. Who knows…

what it be
what it be let it be let what should be free, be freed within thee and what has to be, be by my own decree Just let what be and let others flee when it is time for them to flee (Let me flee, I must Flee) for I am free, to be me for what is freed within you is also freed within me so let be what needs to be and be freed ~ A. L. Stippich
a tear
There's a tear In there, somewhere Where my heart used to care Where there was no Despair Where my face felt the air, and Fear Never used to scare; There's a tear There's a tear in there ~ A. L. Stippich
slow boats
that faithful cigarette
burns a hole
in her side,
displaced thoughts
dance
along the corners
of her abandoned
room, as
slow boats rip
against
the high tides
of her troubled
mind
a selfless
suicide, (vacancy)
plays a tune
behind those hostile
eyes;
her thin words
etched
along the
dotted line
who is she?
(a ghost?)
a piece of familiar
a shadow of
yesterday
creeping up
from behind
to pull you
under
(the ocean's
deep)
and the slow boats
still wander
just a throw from
the shore
as the waves still
roar,
so i close
my eyes
and let the water
in
~ A. L. Stippich
the woman in the woods
she hangs her roses deep in the middle of the woods a thick tree with a high branch, it groans under the weight she starts from the top and lets them swing down, low petals graze the mossy earth (her roses sway where her children can’t see from the bottom of the creek where she left them to play) and before they drop and before they sway her roses from the branch begin to weep, and the children wail from the bottom of the deep but their voices won’t be heard for they no longer speak and in the middle of the woods where her roses died, the children of the creek will always cry while the hunters of the woods keep their watchful eyes, though none will ever understand why she hung her roses in the middle of the woods ~ A. L. Stippich


