replay

tomorrow is almost, 
it’s there, 
(like today)
just clearer and cleaner and 
further away, but tomorrow
always comes at the break of
each day 
and tomorrow is here much
too soon

’tis today in reverse, stuck 
in yesterday’s curse, as tomorrow 
is yesterday’s turn at 
the bend, (half a tick
to the end!)
just a few loops around 
back to yesterday’s town 
and tomorrow is back here
again

i am stuck in today watching
history replay, fixed on yesterday’s
face
and today’s quicker pace, as each  
story untold unfurls and
unfolds 
and new days for others
begin

so if the cycle should end, and 
tomorrow begin
as if today had never become,
would i wake up the same,
would i feel the same pain from when 
yesterday 
snuffed out my 
sun?


~ A. L. Stippich

Internal II (wanderer)

there is someone wandering around
on the inside of my 
head 
she and i are not the same
and she often wishes I were 
dead 

she whistles haunting tunes, a sickly sweet 
into my 
               ear,
a restless hum of seething rage 
to fill my veins with 
endless fear

she bids the sorrow that wears me
thin, 
the curtains veiling a hollow
skin,            (a shell of a girl)
one day closer to the eventual 
end, 
and i know, she will be the very last friend
i ever see


~ A. L. Stippich

melancholy

the sun is awake!

curtains pulled to a shallow
             sea
the waves begin
to stir
with a restless
ache

the sun has
stolen me,
how to make them
      understand
that i am fear's
permanent reside

words are not
thoughts
nor thoughts
words;
fragments 
                 and
                         slivers

the world is in motion,
in tune with the
  sea,
but my fists
remain firm
in the
sand

(even a hole can
play house 
to a 
     void)

melancholia
my lover, my infinite 

solitude

hold me fast in
your arms;
the iron gates
to my
eternal prison


~ A. L. Stippich

mine

this is what’s mine
(my lips, my thighs)
i am not to
be tamed
i will not
push to explain what
i am,
           who i am;
who i am is none of
your concern

pull my hair
paint my face
squeeze my curves into
one place

keep in mind
the lord made me
the beautiful
               that i be
and last i observed
you don’t
hold the clay
that he’s been
moldin’
just for me


~ A. L. Stippich

my old friend, Otis

If there was a better way to go then it would find me

I can’t help it, the road just rolls out behind me

Be kind to me, or treat me mean

I’ll make the most of it, I’m an extraordinary machine.

Fiona Apple

*Triggering Content Warning*

Otis was not originally called Otis. Otis needed a new name. Well, that, and a fresh set of nylons, but more importantly, a new identity.

Dammit, I miss him when he is tucked away. Every time I decide to pick him up to start playing again, it feels like embracing an old friend. An extra limb that carried me through half of what was a mangled childhood. In all my years of playing, I have yet to find a classical that sounds quite like him.

I honestly hate talking about music. Some things you experience in life are just too involved or intense to be able to put into words for another to comprehend and in trying to do so, the opinion floodgates open and by then you have lost your motivation from disheartenment. Music and I have always had such a personal connection. I do not play to be heard, I play to feel free.

Otis was passed on to my brother and I by a church family getting rid of extra guitars when I was in my preteens. The only guitars we had been introduced to prior were my father’s classical and a special, eighties built Les Paul; a deep, blood, red wine color with special machine heads that had tiny tuning handles, which folded inside of each knob. The neck was perfectly crafted with a fretboard of stunning mother of pearl inlays. To this day I have still seen nothing like it. I loved that thing and hated it all at the same time. It was the guitar of my dreams and could lull me to sleep when played. Unfortunately, after I convinced the babysitter that we were “totally allowed to play with it” that one time, the days long welts left behind from the top of my back, down to the backs of my legs from the leather belt lashing made me feel differently about its allure. I had accidentally chipped some paint on the damn thing and the damage was very soon discovered by its meticulous owner. After that it just felt like a toxic love affair. The thing was fucking haunted.

So close your eyes,

And close your mouth.

And do this all in time to the music

That screams like a child in the back of your mind

In a clown’s saloon...

Ryan Adams

Receiving Otis as a kid felt like I had been handed a brick of gold. The moment I figured things out and conquered tuning, it just all rushed in. I had grown up on a lot of sixties and seventies classics from my parents’ collection before finding my own music journey. I wanted the slow hand of David Gilmour mixed with the complex finger styling of Steve Howe, playing Mood For a Day with perfect ease. I spent hours on end with calloused fingers and sore wrists, giving myself full blown tendonitis by high school from overplaying. For a spell, I was the kid with the record player and a stack of Pink Floyd, tucked in a quiet, dirty basement, resetting the needle over and over until I had the timing just right. Music and I were already one, but now that I could play it, the game completely changed.

I will sit right down

Waiting for the gift of sound and vision.

David Bowie

Once my father caught on that we liked something that he already had a vested interest in, we finally found a sliver of common ground and by my late teens, the guitar count in our home was in the teens itself, with an amp count not far behind. A person could not walk into our house without noticing that it was full of guitarists.

My baby brother had met the strings not long after I did and blew us all away, learning songs by ear, even learning Hendrix was straight-forward for his fingers. Soon, after being gifted his metallic, mint green Stratocaster (affectionately named Lucy), a guitar strap only left his neck for showers. The magic music man of the family was born, and he has never put a guitar down since, all because of Otis.

Boy, you’re gonna carry that weight,

Carry that weight a long time

The Beatles

There are a lot of reasons I walk away and come back. Sometimes it hurts too much. The fond memories I have, outlined by my entrancement with the strings still sit like fine china on an old, rickety shelf. I am not ready to feel them yet. However, sometimes I just need him again, during rough times of emotional stress or just because seeing an old friend can sometimes bring you back to a happier state of mind. Who knows…

Brother and I, forever ago. The younger us’s, trying to get Eddie V. Halen to join our band by mastering a most triumphant video.

what it be

what it be
let it be 
let what should be free, be freed within 
thee 
and what has to be,
be

by my own decree 
Just let what be and let others 
flee
when it is time for them to flee

(Let me flee, I must
Flee)

for I am free, to be
me
for what is freed within 
you
is also freed within me
so let be 
what needs to be
and be freed


~ A. L. Stippich

slow boats

that faithful cigarette    
burns a hole
in her side,

displaced thoughts

dance

along the corners

of her abandoned

room, as

slow boats rip

against

the high tides

of her troubled

mind



a selfless
suicide, (vacancy)
plays a tune
behind those hostile
eyes;
her thin words
etched

along the

dotted line


who is she?
(a ghost?)
a piece of familiar
a shadow of
yesterday
creeping up
from behind
to pull you
under
(the ocean's
deep)


and the slow boats
still wander
just a throw from
the shore
as the waves still

roar,

so i close

my eyes

and let the water

in
~ A. L. Stippich

the woman in the woods

she hangs her roses
deep
in the middle of
the woods

a thick tree
with a high
branch,
it groans under
the weight

she starts from
the top
and lets them
swing down, low
petals
graze the
mossy earth

(her roses sway
where her children
can’t see
from the bottom
of the creek
where she left them
to play)

and before they
drop
and before they
sway
her roses from the
branch
begin to weep, and
the children wail
from the bottom
of the deep
but their voices
won’t be
heard
for they no longer
speak

and in the middle
of the woods
where her roses
died,
the children of
the creek
will always cry
while the hunters
of the woods
keep their watchful
eyes,
though none will
ever understand
why
she hung her
roses in the middle of
the woods


~ A. L. Stippich

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